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Gin-and-Water is the Source of all my Inspiration
Category: Writing
Tags: writing alcohol drugs

Gin-and-water is the Source of all my Inspiration

So said Lord Byron, though like all writers he could be guilty of exaggeration. Or not. It’s an interesting concept that doesn’t work for me. Give me wine any day. But seriously, I thought I’d do some research on the subject. Some of the results surprised me. Most didn’t, just the extent of the information...and consumption!

Horace seemed to agree with Byron: ‘No verse can give pleasure for long, nor last, that is written by drinkers of water.’ Without the gin presumably. Coleridge was known for his opium habit. Then there was Edgar Allan Poe, who was more than partial to brandy eggnogs. So was it just poets who were away with the fairies all the time?

I don’t think so, although quotes have a way of attaching themselves to famous authors, not always accurately. Some dispute that Ernest Hemingway ever said, ‘Write Drunk. Edit sober.’ It’s worth a thought, anyway. Apparently, Graham Greene completed The Confidential Agent ‘in six weeks under the influence of Benzedrine.’ Another much-quoted quip comes from F. Scott Fitzgerald: ‘Too much champagne is just right.’ Then it is said that Raymond Chandler got blind drunk to cure writers’ block when on a deadline to finish his screenplay of The Blue Dahlia, for which he earned an Academy Award.

The list goes on and on. Truman Capote, Oscar Wilde, James Joyce, Jack Kerouac, Hunter S. Thompson, John Cheever, Ian Fleming, William Faulkner and Stephen King are some famous examples of successful novelists who allegedly liked to drink – a lot – as they worked. The Beats preferred drugs and wrote some of their best material under the influence of Benzedrine, heroin and LSD.

Charles Bukowski justified his drinking/writing partnership something like this: ‘Alcohol yanks and joggles you out of routine thought and everydayism.’ I can relate to that. I believe a little chaos in our heads can make us more experimental and boost creativity. Although I cannot drink and write successfully, I find when I’m a bit woozy-headed with a hangover my mind is more imaginative, and less orderly and PC than it usually is. Similar to first thing in the morning, when ideas flow more freely from the subconscious.

Plenty of female writers were drinkers too. Dorothy Parker was renowned for her cocktails. Carson McCullers is said to have written The Heart is a Lonely Hunter whilst imbibing sherry. Patricia Highsmith said that alcohol was essential ‘to see the truth, the simplicity, and the primitive emotions once more.’ Marguerite Duras was an alcoholic but produced dozens of top-quality novels. Her writing has been described as experimental, elegant, passionate and visually striking. Obsessive editing gave it clarity.

Jean Rhys, like several writers who drank, suffered from depression. Psychiatrists suggest the link between many writers and heavy drinking is manic depression and that writing is their salvation. Some died directly or indirectly from their habit but not before writing masterpieces first.

Without suffering from depression, I can still understand how intoxication can help release creative expression, but it can also detract from precision. The more we drink the less rational things become. Incoherence and sentimentality creep in, which gives Hemingway’s “supposed” quote credence.

I wonder if the hugely talented writers I’ve mentioned above would have been just as successful sober. Stephen King and Marguerite Duras both proved they could by writing high-quality novels after quitting the booze, but perhaps sobriety wouldn’t work for all of them.

I’ve mostly delved into the past as I’m not sure if modern-day writers are so prone to write under the influence. Perhaps they do but keep it secret. What do you think? And do you like a tipple yourself when you write? 

Gin-and-Water is the Source of all my Inspiration
Category: Writing
Tags: writing under the influence of drugs and alcohol

                       

Gin-and-Water is the Source of all my Inspiration

So said Lord Byron, though like all writers he could be guilty of exaggeration. Or not. It’s an interesting concept that doesn’t work for me. Give me wine any day. But seriously, I thought I’d do some research on the subject. Some of the results surprised me. Most didn’t, just the extent of the information…and consumption.

Horace seemed to agree with Byron: ‘No verse can give pleasure for long, nor last, that is written by drinkers of water.’ Without the gin presumably. Coleridge was known for his opium habit. Then there was Edgar Allan Poe, who was more than partial to brandy eggnogs. So was it just poets who were away with the fairies all the time?

I don’t think so, although quotes have a way of attaching themselves to famous authors, not always accurately. Some dispute that Ernest Hemingway ever said, ‘Write Drunk. Edit sober.’ It’s worth a thought, anyway. Apparently, Graham Greene completed The Confidential Agent ‘in six weeks under the influence of Benzedrine.’ Another much-quoted quip comes from F. Scott Fitzgerald: ‘Too much champagne is just right.’ Then it is said that Raymond Chandler got blind drunk to cure writers’ block when on a deadline to finish his screenplay of The Blue Dahlia, for which he earned an Academy Award.

The list goes on and on. Truman Capote, Oscar Wilde, James Joyce, Jack Kerouac, Hunter S. Thompson, John Cheever, Ian Fleming, William Faulkner and Stephen King are some famous examples of successful novelists who allegedly liked to drink – a lot – as they worked. The Beats preferred drugs and wrote some of their best material under the influence of Benzedrine, heroin and LSD.

Charles Bukowski justified his drinking/writing partnership something like this: ‘Alcohol yanks and joggles you out of routine thought and everydayism.’ I can relate to that. I believe a little chaos in our heads can make us more experimental and boost creativity. Although I cannot drink and write successfully, I find when I’m a bit woozy-headed with a hangover my mind is more imaginative, and less orderly and PC than it usually is. Similar to first thing in the morning, when ideas flow more freely from the subconscious.

Plenty of female writers were drinkers too. Dorothy Parker was renowned for her cocktails. Carson McCullers is said to have written The Heart is a Lonely Hunter whilst imbibing sherry. Patricia Highsmith said that alcohol was essential ‘to see the truth, the simplicity, and the primitive emotions once more.’ Marguerite Duras was an alcoholic but produced dozens of top-quality novels. Her writing has been described as experimental, elegant, passionate and visually striking. Obsessive editing gave it clarity.

Jean Rhys, like several writers who drank, suffered from depression. Psychiatrists suggest the link between many writers and heavy drinking is manic depression and that writing is their salvation. Some died directly or indirectly from their habit but not before writing masterpieces first.

Without suffering from depression, I can still understand how intoxication can help release creative expression, but it can also detract from precision. The more we drink the less rational things become. Incoherence and sentimentality creep in, which gives Hemingway’s “supposed” quote credence.

I wonder if the hugely talented writers I’ve mentioned above would have been just as successful sober. Stephen King and Marguerite Duras both proved they could, by writing high-quality novels after quitting the booze, but perhaps sobriety wouldn’t work for all of them.

I’ve mostly delved into the past as I’m not sure if modern-day writers are so prone to write under the influence. Perhaps they do but keep it secret. What do you think? And do you like a tipple yourself when you write? 

Edit. Edit. Edit. Or not. Tags: writing editing

There’s nothing quite as satisfying as writing a page or several pages of stream-of-consciousness prose. Or poetry, I guess, though I’ve little experience there. Releasing the creative juices in that fashion leaves me with a warm fuzzy feeling inside. Sometimes. But then what? Edit.

Reading it over straight away can leave me with the impression that it should be left as it is. Raw. Straight from the heart. Put the piece aside for a few days and glaring errors jump off the page.

Even so, I believe this kind of writing should be treated with silk gloves. It’s all too easy to kill the original spark of creativity that sets us off and kill the very essence of the writing. Plot, story, theme, characterisation can all be worked on, but not the essence. That precious unknown quantity.

So how much do we edit? Personally, I go for the usual suspects: grammar and punctuation, overuse of adjectives and adverbs, finding a stronger verb, saying the same thing twice, using the correct word, over-writing, making sure I’ve started in the right place. Often I delete the first paragraph completely. The same goes for the ending. And so it goes, on and on and on – ad infinitum – until my head is dizzy and I lose the will to live.

I read of one author – interviewed in Writing Magazine – who said that he’d edited/rewritten his novel 50 times before it was ready for publication. No surprise then that it took him 15 years to write! Authors lucky enough to have publishers and deadlines wouldn’t have that luxury (probably the wrong choice of word). In any case I’d be sick to death with the sight of a novel long before I’d reread it 50 times.

I write mostly short fiction and have been guilty of editing a story to within inches from its grave.  Because rereading two or three thousand words is easy, the temptation is there to edit and edit and edit. I’ve done this with travel articles as well, but luckily when commissioned the deadline kept editing within reason as time ran out. Competitions also have deadlines, the problem is if you miss one there’s usually another one with a later closing date. And so the editing continues.

I don’t know if any of you get this sudden moment of truth, when a little genie whispers, ‘Stop! Send it off.’ Enough is enough. I can tell I’ve gone a bit OCD when I start turning the verbs I’ve changed in the story back to the originals. Aargh. Stop. Stop. Stop.

Some articles or blogs I’ve read on the subject suggest you can never rewrite enough. On the other hand, here’s a quote from Margaret Atwood: ‘If I waited for perfection, I would never write a word.’

It probably won’t surprise you after reading this that I’ve hardly edited this blog at all. My little genie whispered ‘Post or we’ll be here all night!’

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